Where intuition and aesthetic meet.
Images in Motion
Film as a kinetic experience reimagines that which we know about ourselves.
I make films to widen what’s possible: the kinds of attention we can give and receive, the spaces our bodies can inhabit, the imaginations we can teach ourselves to trust.
I approach filmmaking as a doubleness: camera as dance partner, edit as assistant choreographer. The lens learns the dancer’s shapes; the dancer learns its angle. Discovering moments that only occur when cinema and movement meet.
My process is collaborative and iterative, inviting improvisation and failure. Risk is a method of artistic discovery.
My films are invitations — to feel differently, to move differently, and to see movement as a continuously evolving question rather than a fixed answer.
